For that reason, she also began to keep a notebook, in which she wrote poems, often in the fields where she had some privacy. This experience caused her really to notice relationships.
![alice walker 1955 pdf alice walker 1955 pdf](https://i.etsystatic.com/9537012/r/il/3dcc70/2785640507/il_1588xN.2785640507_iti1.jpg)
Her eye was covered by a scar until she was fourteen, when a relatively simple operation corrected the disfigurement, which made her feel ugly and for years she feared she would lose the sight of the other eye. At eight she lost the sight of one eye when one of her older brothers shot her with a BB gun. Perhaps Walker was particularly attuned to the relationship between social forces and personal development because at a young age she lived through the feeling of being an outcast. In an interview in Library Journal (15 June 1970) she explained how this relationship affected her first novel, The Third Life of Grange Copeland (1970): "I was curious to know why people in families (specifically black families) are often cruel to each other and how much of this cruelty is caused by outside forces such as various social injustices, segregation, unemployment, etc." Her childhood was filled with stories of past lynchings, and like other Southern black children she found "at 12 that the same little white girls who had been her playmates were suddenly to be called `miss.'" The young Walker was certainly affected by the pervasiveness of the violent racist system of the South, especially the impact it had on black families. She grew up in that small Southern town at a time when many blacks, like her parents, worked in the fields for a pittance and when whites exerted control over practically every aspect of black life. She was born 9 February 1944, the eighth and last child of Willie Lee and Minnie Lou Grant Walker, Eatonton, Georgia, sharecroppers. They are part of her own personal history.
![alice walker 1955 pdf alice walker 1955 pdf](https://lh6.googleusercontent.com/-3xVRvVSMDTw/TI3kjO6YFCI/AAAAAAAAGHI/b40wY6Dvvh0/s512/Karate%252520Pepi%252520Blumenau%252520SC%252520dandee.com.br%252520%252528245%252529.jpg)
Her belief in the relationship between personal and social change, her awareness that struggle and spirituality are primary characteristics of black Southern folk tradition, and her sense of that unknown thing in her ancestors that yearns to be articulated are not solely intellectual concepts for Alice Walker . Her work proceeds from Walker's belief in the human potential and desire for change. are known to contain the accumulated collective reality of the people themselves." In spite of the problems her works expose, she is essentially optimistic. Stylistically her work is based on the idea that "a people's dreams, imaginings, rituals, legends. Unlike the stereotype of the socially conscious writer, she asserts "the importance of diving through politics and social forces to dig into the essential spirituality of individual persons." Her work then, though clearly political in its thrust, expands that quality to mean personal inner change as a crucial aspect of radical social change.
![alice walker 1955 pdf alice walker 1955 pdf](http://1.bp.blogspot.com/-fz9LVtEs3RM/TpicDRZhS9I/AAAAAAAADag/EfPO4nHu8O0/s320/karate%2B%252819%2529.jpg)
Most important for Walker is its essence: that spirituality is the basis of the valuable and therefore of art. But that heritage is not only a source of her forms. Walker develops literary forms (for example her concept of quilting, her use of folk language) that are based on the creative legacy left her by her ancestors. A womanist (her term for a black feminist), Walker has, more than any contemporary writer in America, exposed the "twin afflictions" that beset black women, the sexism and racism that historically and presently restrict their lives. Perhaps the most controversial of her subjects is her insistence on investigating the relationships between black women and men, black parents and children, with unwavering honesty. And in articulating that tradition, she has found that the creativity of black women, the extent to which they are permitted to exercise it, is a measure of the health of the entire society.Ī writer who admits to "a rage to defy/the order of the stars/despite their pretty patterns," Walker consistently approaches the "forbidden" in society as a route to the truth.
![alice walker 1955 pdf alice walker 1955 pdf](https://2.bp.blogspot.com/-gsIDuIHGYgI/T8nN2BdqbxI/AAAAAAAABqw/UyLBJ1K6Cig/s1600/%252700000000.jpg)
Her works confront the pain and struggle of black people's history, which for her has resulted in a deeply spiritual tradition. A Southerner, she also presents that land as the place from which their specific characteristics of survival and creativity have sprung.